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A letter from the Cottars

Jan. 14, 2012

On behalf of The Cottars, we sincerely apologize that circumstances beyond our control prevent us from being able to be in Des Moines tonight to perform for you.
We sincerely apologize and regret the situation. We would like to come back very soon to make the show up to you all. We hope to make that happen.
Thank you for your understanding.”
The Cottars

For those who want a refund or ticket exchange, this how you may go about it.

To request a refund or exchange for tickets purchased for The Cottars concert, please send your tickets to Celtic Music Association, P.O. Box 30001, Des Moines, IA 50310. Provide your return name and address and indicate whether you are requesting a refund or wish to exchange the tickets for a future concert: Solas at Hoyt Sherman Place on February 18 or The Makem & Spain Brothers at Holy Trinity Parish Hall on March 10, 2012. Requests must be received by February 11.

Clark Williams, CMA president, FSOSP

SOLAS
February 18, 2012
at Hoyt Sherman Auditorium

SOLAS Sample Link <------click

Go to Band Website

Since its birth in 1996, Solas has been loudly proclaimed as the most popular, influential, and exciting Celtic band to ever emerge from the United States. Even before the release of its first Shanachie CD, the Boston Herald trumpeted the quartet as “the first truly great Irish band to arise from America,” and the Irish Echo ranked Solas among the “most exciting bands anywhere in the world.” Since then, the praise has only grown louder. The Philadelphia Inquirer said they make “mind-blowing Irish folk music, maybe the world’s best.” The New York Times praised their “unbridled vitality“, the Washington Post dubbed them one of the “world’s finest Celtic-folk ensembles” and the Austin American-Statesman called them “the standard by which contemporary Celtic groups are judged.” Solas is virtually unique in the new territory it has opened up for Celtic music. It has performed at all the major Celtic and folk festivals, including Philadelphia, Edmonton, the legendary National Folk Festival, and Milwaukee’s Irish fest; but also at Telluride Bluegrass Festival, and the chamber music summer series at Steamboat Springs, Colorado. It has performed at Symphony Hall, Wolf Trap, the Ford Amphitheater, and Queens Hall in Edinburgh, Scotland. In New York City, where the band was based in its early years, it has played at the legendary Bottom Line folk club, but also at vaunted classical venues Town Hall and Symphony Space. The Solas sound today is anchored by founders Seamus Egan, who plays flute, tenor banjo, mandolin, whistle, guitar and bodhran, and fiddler Winifred Horan. They are two of the most respected—and imitated—musicians anywhere in acoustic music. Mick McAuley from Kilkenny plays accordion and concertina; Eamon McElholm from Tyrone plays guitar and keyboards. Solas has emerged as the most exciting band in traditional Irish music. The Philadelphia Inquirer Magazine says, “Seamus Egan and Solas make mind-blowing Irish folk music, maybe the world’s best,” while the Los Angeles Times says, “Solas offers a compellingly original, strikingly contemporary view of traditional Celtic sounds.” Although Solas can play undiluted traditional Irish music as well as anyone alive or departed, they are always varying the mix of fire tested tradition and contemporary sensibility with an ease and naturalness that is as astonishing as their overwhelming musicianship. As a result, they transcend musical genres into the realm of pure musical expression that only a relative handful of musicians attain. The internationally acclaimed supergroup has not only captured the hearts and ears of Irish music fans, but fans all around the globe with their blend of Celtic traditional, folk and country melodies, bluesy sometimes jazz-inspired improvisations and global rhythms. Solas has built a fanbase that includes the likes of Bela Fleck, Emmylou Harris and the much sought-after rap producer Timbaland who surprisingly sampled the band on his radio hit “All Yall.” Their latest release is “The Turning Tide” available on Compass Records. Fourteen years and still going strong!!!

Makem and Spain Brothers
March 10, 2012
at Holy Trinity

Makem And Spain Sample Link ------click

Go to Band Website

Every generation has a few acts that define where a musical genre is going, performers so confident in their chosen field that they are able to completely embrace the genre and yet introduce something new to it. In Irish folk music today, that act is the Makem and Spain Brothers.

Not in the past 30 years has a group taken the international stage with such vocal power and stage presence, capturing the essence of their genre, while standing out as something truly unique. A host of various instruments and five male vocals, using precise three-part harmonies blend perfectly for what many have described as a wall of sound. The Makem and Spain Brothers are at their best onstage where their talent and enthusiasm draw in fans who have never experienced the joy of folk music.

The Spain Brothers, too, learned Irish songs at their father's knee. Mickey's rich, baritone voice and Liam's mastery of stringed instruments quickly found a home when the Makems met the Spains and the brothers realized the power of their combined talents.

But folk songs are engrained in both families and their songwriting contains the timeless qualities of folk classics, songs of the worker, songs of the sea and Irish culture. They tell the tale of Ireland and its people - a culture that has undergone terrible strife, but remains strong.

Where is Irish music going? There are instrumental bands bringing it down uncharted roads, moving it forward and keeping it living. But there is only one band that is driving Irish folk songs into the 21st century internationally. That band is the Makem and Spain Brothers.

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